Designed and built for a Metamorphosis-themed evening at the California Academy of Sciences, this interactive, life-sized, inflatable African elephant is a collaboration between myself and CCA cohorts Rafi Ajl and Seth D'Ambrosia.

An exploration of visual territory through analog forms —a process of making, accessing, and critiquing everyday objects in order to critique the structure of materials and media.

By stripping away typography, symbol and language, analog forms are a way to reexamine how we think, see, and interpret visual material.

Inspired by A Free and Anonymous Monument by Jane and Louise Wilson, this installation examined public insight into private and mundane moments through a series of disconnected body studies. Living in the interstices between installation, art, architecture, and transformation of space, this piece ultimately required viewers to become participants, forcing them to question the voyeuristic tendencies of our society.

A variety of corporate and personal logos

I was commissioned to illustrate a piece for Vanguard’s cover story on how political accountability has affected our government's capacity to get things done. The writer posited that lobbyists were taking advantage of these checks and balances, making it more difficult for officials to draft and execute new reforms and public works.